A |
Age uke |
Rising block |
|
Ago |
Jaw |
|
Ago uchi |
Strike to the jaw |
|
Ashi |
Foot or leg |
|
Ashi barai |
Foot sweep |
|
Ashi-no yubi |
Toes (see “Tsumasaki”) |
|
Ato ni kai |
Two more times |
|
Ato san kai |
Three more times |
|
Atama |
Head |
|
Azato, Anko |
One of Gichin Funakoshi’s senseis (see “Itosu”) |
B |
Barai |
Sweep |
|
Bo |
Staff (Okinawan kobudo weapon) |
|
Budo |
Martial arts |
|
Budoka |
Martial arts practitioner |
|
Bujin |
Martial artist |
|
Bunkai |
Interpretation/application of movement or technique |
C |
Choku |
Straight |
|
Choku tsuki |
Straight punch |
|
Chudan |
Middle gate of the body (chest to waist) |
D |
Dachi |
Stance |
|
Dai Sempai |
Highest ranking student |
|
Dai Sensei |
Highest ranking teacher |
|
Dan |
Black belt grade |
|
Do |
Way or path; art |
|
Dojo |
Martial arts school or training area (literally translated: “The place where one finds one’s way”) |
|
Dozo |
Please |
E |
Embu sen |
Path or map of a kata |
|
Empi |
Elbow (also “hiji”) |
|
Empi uchi |
Elbow strike |
|
Empi uke |
Elbow block |
F |
Fudo dachi |
Grounded stance |
|
Fumikomi geri |
Stomping kick |
|
Funakoshi, Gichin |
The founder of Shotokan karate-do (1868-1957) |
G |
Gaeshi |
Turning or rolling |
| |
Gedan |
Lower gate to the body (below the waist) |
|
Gedan barai |
Downward sweep |
|
Geri |
Kick |
|
Gi |
Formal martial arts uniform (karategi, judogi, kobudogi, etc.) |
|
Goju ryu |
An Okinawan system of karate; literally “Hard soft style” |
|
Gore |
By the count |
|
Gore nashi |
No count |
|
Gyaku |
Reverse |
|
Gyaku tsuki |
Reverse punch |
H |
Hachimaki |
Headband, bandana |
|
Hai |
Yes |
|
Hai, Sensei |
I understand, Teacher |
|
Haisoku |
Instep (see “Sokko”) |
|
Haito |
Ridge hand |
|
Haito uchi |
Ridge hand strike |
|
Hajime |
Begin |
|
Hangetsu dachi |
Half moon stance (a very deep sanchin dachi) |
|
Hanshi |
Samurai title given to those oldest and most senior dans at the ranks of Kudan (9th dan) and Judan (10th dan). This person is usually the head of an individual karate organization, someone who has studied the art for most of his lifetime. This grade signifies his true understanding of the art. Hanshi are commonly at least 65 — 80 years of age. Literally, “Master” |
|
Happon uke waza |
A sequence of 4 basic blocking techniques (age uke, soto uke, uchi uke, gedan barai), performed bilaterally, that is first learned as a beginner. Literally, “eight blocking techniques” |
|
Hara |
The center of one’s being or consciousness |
|
Hasami barai |
Scissors sweep |
|
Hasami uke |
Scissoring block |
|
Heisoku dachi |
Feet together stance |
|
Hidari |
Left |
|
Hiraken |
Flat fist |
|
Hiki te |
Pulling hand |
|
Hiki uke |
Pulling block |
|
Hiza |
Knee |
|
Hiza geri |
Knee kick |
I |
Ibuki |
Dynamic tension breathing |
|
Iie |
No |
|
Ippon |
First; single; one point |
|
Ippon kumite |
Single move sparring drill |
|
Ippon nukite |
Single finger spear hand strike |
|
Itosu, Anko |
One of Gishin Funakoshi’s other senseis (see “Azato”); creator of the Pinan kata |
J |
Jime |
Choke (plural is “shime,” as in “shime waza” or choking techniques) |
J |
Jiyu kumite |
Free-style sparring |
|
Jodan |
Upper gate to the body (head and neck) |
|
Joseki |
“High seat” or front of dojo (see “Shomen”) |
|
Josokutei |
Ball of the foot |
|
Juji uke |
X block (literally, “figure 10” block) |
K |
Kage geri |
Hook kick |
|
Kage tsuki |
Hook punch |
|
Kage uke |
Hooking block |
|
Kakie |
Sticky hands (tuite) |
|
Kaku-waki uke |
Wedge block |
|
Kamae |
Defensive posture |
|
Kamiza |
Shrine or altar |
|
Karate |
“Empty hand” changed formally by Master Funakoshi from the traditional kanji meaning “Chinese hand” |
|
Karate-do |
The art (way) of the empty hand |
|
Karate-ka |
Karate practitioner |
|
Kasushi |
Off-balancing motion |
|
Kata |
Formal exercises performed in a pre-arranged geometrical pattern against imaginary opponents. The foundation of all karate training |
|
Kata |
Shoulders |
|
Keage |
Snapping |
|
Keage geri |
Snapping kick |
|
Keiko |
Practice |
|
Keito uke |
Chicken wrist block |
|
Kekomi |
Thrusting |
|
Kekomi geri |
Thrusting kick |
|
Kiai |
Vocalization of focus or intent; force; spirit |
|
Kiba dachi |
Horse stance |
|
Kihon |
Basic technique |
|
Kime |
Focus of technique; internal energy |
|
Kindama (vulgar) |
Groin |
|
Kiotsuke |
Attention |
|
Kokuto uke |
Bent wrist block |
|
Kokuto uchi |
Bent wrist strike |
|
Kokutsu dachi |
Back stance |
|
Koshi |
Hip |
|
Komi |
Heel |
|
Kote |
Wrist (also “te kubi”) |
|
Kote uchi |
Wrist strike |
|
Kudasai |
Please |
|
Kumade |
Bear hand |
|
Kumi |
Coming together |
|
Kumite |
Practice sparring (a controlled sparring match); literally “coming together of hands” |
|
Kyoshi |
Samurai title given to those holding the ranks of nadan (7th dan) and Hachidan (8th dan) Literally, “Knowledgeable person” |
|
Kyu |
Student rank division denoting colored belts |
M |
Maae |
Proper distancing |
|
Mae |
Forward; front |
|
Mae geri |
Front kick |
|
Mae-tobi geri |
Flying front kick |
|
Makiwara |
Contact board |
|
Mata |
Groin |
|
Mate |
Wait |
|
Mawashi |
Roundhouse |
|
Mawashi geri |
Roundhouse kick |
|
Mawashi tsuki |
Roundhouse punch |
|
Mawate |
Turn around |
|
Menjo |
Formal ceremony at which rank promotions are given; literally “diploma” |
|
Metsuke |
Gaze, focus of the eyes |
|
Migi |
Right |
|
Mikazuki geri |
Crescent (moon) kick |
|
Miyagi, Chojun |
10th dan master and founder of Goju-ryu karate-do (1888 — 1953) |
|
Morote tsuki |
Reinforced or double punch |
|
Morote uke |
Reinforced forearm block |
|
Mou ichi do |
Repeat; or “one more time” |
|
Mudansha |
Students of the kyu ranks, collectively |
|
Musubi dachi |
Feet at an angle stance |
N |
Nafudakake |
Rank board |
|
Nagashi uke |
Pushing block |
|
Naka |
Center |
|
Nakadate ippon ken |
Single finger one-knuckle punch |
|
Nami gaeshi geri |
Rolling wave kick |
|
Nami gaeshi uke |
Rolling wave block |
|
Naname |
Angled (implies a 45° angle) |
|
Neko ashi dachi |
Cat leg stance |
|
Nidan geri |
Double kick |
|
Ni mae-tobi geri |
Double flying front kick |
|
Nodo |
Throat |
|
Nodo tsuki |
Throat punch |
|
Nukite |
Spear hand strike |
|
Nyujo |
Enter |
O |
Obi |
Belt |
|
Oi tsuki |
Lunge punch |
|
Okinawa |
One of the Ryukyu Islands; the founding country of karate-do |
|
Okinawa-te |
The precursor to modern karate; the original Okinawan martial art also known as Te, To-te, Naha-te, Shuri-te, etc. |
|
Onaka |
Stomach |
|
Ono geri |
Axe kick |
|
Osae |
Pressing |
|
Osae uke |
Pressing block |
|
Otagai |
Partner |
|
Oya-yubi |
Thumb |
|
Oya-yubi date tsuki |
Thumb knuckle punch |
R |
Rei |
Bow |
|
Reigi |
Etiquette / good manners |
|
Renshi |
Samurai title meaning “A person who has mastered oneself,” given to those holding the ranks of Yondan (4th dan) through Rokudan (6th dan) Literally, “Polished expert” or “expert instructor” |
|
Renshu |
Practice |
|
Ryu |
Style or tradition |
S |
Sagiashi dachi |
Crane leg stance |
|
Sanbon kumite |
Three-step sparring |
|
Sanbon tsuki |
Triple punch |
|
Sanchin dachi |
Open hourglass stance |
|
Seiken |
Fist; chamber |
|
Seiken choku tsuki |
Straight punch from chamber |
|
Sei retsu suru |
Take position in line |
|
Seito |
Student |
|
Seiza |
kneel; sit |
|
Sempai |
High ranking student (title given to those at the Shodan & Nidan levels) |
|
Sensei |
Teacher; title given only to those holding the rank of Sandan (3rd dan) or higher |
|
Shiai |
Competition or tournament |
|
Shiaijo |
Sparring match area |
|
Shihan |
Director (of a school system; one must hold the grade of Kyoshi to acquire this title) |
|
Shiko dachi |
Straddle leg stance (like an open kiba dachi) |
|
Shime waza |
Choking techniques |
|
Shimoza |
Dojo rear wall |
|
Shinkyo |
Mirror placed in front of or inside the kamiza |
|
Shinobi dachi |
Hidden stance |
|
Shinpan |
High ranking dan official, judge |
|
Shobu-ari |
Winner (in a kumite) |
|
Shogo |
The three classical Samurai ranks of Renshi, Kyoshi and Hanshi |
|
Shomen |
Dojo front wall (see “Joseki”) |
|
Shorin ryu |
One of the two traditional Okinawan martial arts, along with Shorei ryu, from which Master Funakoshi developed his own style, Shotokan. Literally "Pine Forest Style" |
|
Shotokan |
Funakoshi-sensei’s system of karate — a combination of the traditional Shorin ryu and Shorei ryu styles |
|
Shuto |
Knife hand |
|
Shuto uke |
Knife hand block |
|
Sieryuto uchi |
Ox jaw strike |
|
Sochin dachi |
Twisted horse stance |
|
Sokko |
Instep (see “Haisoku”) |
|
Sokuto |
Blade of the foot |
|
Soto |
Outward |
|
Soto uke |
Outward block |
|
Suigetsu |
Solar plexus |
|
Sukui uke |
Scooping block |
|
Suri-ashi |
Sliding step; shuffle |
T |
Tai |
Body |
|
Tai Sabaki |
Body movement |
|
Tate tsuki |
Vertical fist punch |
|
Te |
Hand |
|
Teisho |
Palm heel |
|
Teisho uchi |
Palm heel strike |
|
Tetsui |
Bottom fist / Hammer fist |
|
Tetsui uchi |
Bottom fist strike |
|
Tomoe shotei ate |
Thousand-arms block (literally, “overhead palm-heel strike”) |
|
Tori |
The person who performs a kata during bunkai application, or who performs the techniques during ippon kumite or when demonstrating any ju jitsu movement; this person is defending himself and is the eventual winner in a confrontation |
|
Tsuba |
Fist-guard on a sword |
|
Tsuki |
Punch |
|
Tsumasaki |
Toes (see “Ashi-no yubi”) |
U |
Uchi |
Strike |
|
Uchi-hachiji dachi |
Closed hourglass stance |
|
Uchi uke |
Inside block |
|
Ude |
Forearm |
|
Ude uke |
Forearm block |
|
Uke |
Block |
|
Uke |
The person who receives techniques during kata bunkai application; this person provides attacks in ippon kumite (or during kata bunkai or when demonstrating any ju jitsu movement), and is the eventual loser in a confrontation |
|
Uraken |
Back fist |
|
Ushiro |
Back, reverse |
|
Ushiro geri |
Back kick |
|
Uwagi |
Top half of the standard karate gi |
W |
Waza |
Technique, skill |
|
Waza-ari |
Half point (in a kumite) |
Y |
Yama tsuki |
Mountain punch, or “U” punch |
|
Yamaguchi, Gogen |
Contemporary 10th dan master of Goju ryu karate-do (1909 — 1989) |
|
Yame |
Stop; end |
|
Yoko |
Side |
|
Yoko geri |
Side kick |
|
Yoko-tobi geri |
Flying side kick |
|
Yoi |
Ready |
|
Yoi dachi |
Ready stance |
|
Yubi |
Fingers |
|
Yudansha |
Committee of black belts |
Z |
Zanshin |
Awareness, alertness, focus of intent. Literally, “ready mind” |
|
Zenkutsu dachi |
Front stance |
|
Zubon |
Bottom half of the traditional karate gi |